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Elmhurst Art Museum
150 Cottage Hill Ave
Elmhurst, IL 60126
(630) 834-0202
(630) 834-0234 FAX
Programs and Exhibitions
are partially funded
through the support of



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Upcoming Exhibitions
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Visual Voice: The Artistry of Bonnie
Koloc
September 27, 2008-January 4, 2009
The
enduring and versatile voice of Bonnie Koloc has been heard in Chicago since
1968. For a decade, Bonnie was a pivotal act at the Earl of Old Town,
drawing crowds that stood in lines around the block, hoping, at least, for a
place to stand to catch the hottest act in town. In time her folk-oriented
style merged with jazz and blues, and her versatility took her to Mr.
Kelly’s, a long-time Chicago landmark. While continuing to play at the Earl,
Orphans and Holstein’s, she began appearing at festivals.
Along the way she received a
Governor’s Award in 1973 for Best Singer, recorded ten albums, two of them
with Epic. In 1984 her career took another turn when she starred in the
Public Theater’s production of The Human Comedy, first earning her the
theatre World Bronze Award for Outstanding New Talent on Broadway and a
Drama Critics Award nomination for Best Actress in a Musical.
In 1987, Bonnie returned to
college to finish a B.A. in Art Education from the University of Northern
Iowa. Since high school, Bonnie has shown a gift not only for acting but for
fine art, and since 1987 she has been an active print maker, painter and
ceramist. In the last eleven years she has had one-woman shows in the South
and Midwest, including Chicago and Nashville. In 1999 she was distinguished
by her inclusion in the National Exhibition of the Los Angeles Printmaking
Society.

In 1996 Bonnie brought together
her talents as a singer/songwriter and an artist in A Bestiary. A collection
of linocuts, poetry, and music, A Bestiary captures thirteen beasts of the
farm with a print, poem and song for each. This stunning work won Best in
Show at the Iowa State Fair’s art salon in 1996. These art songs, written in
the pentatonic scale, show Bonnie adding yet another dimension to her
multi-faceted accomplishments. It is no coincidence that the Des Moines
Register called her a “renaissance woman.” Copies of the limited edition set
of A Bestiary have been acquired by individual collectors, the Iowa Arts
Council, the Waterloo Art Center and Museum, and the special collections
department of the Chicago Public Library.
In 1997 Bonnie created a
one-woman musical commissioned by the College of Du Page in Glen Ellyn,
Illinois. Set in the country of Trashmania, a land of artists and good dogs,
the story centers around a woman’s attempts to fulfill her vocation a singer
while regaling us with stories of her eccentric aunts, also artists, in the
Royal Trashmanian Circus. For this musical Bonnie not only wrote music and
lyrics for nineteen songs, but designed and built the set (which included
her own paintings, prints, and drawings) and created all the costumes.
For
the last decade Bonnie has also been an active book illustrator, creating
covers and decorations for
Free River Press.
Her two most recent commissions have been for
An American
Mosaic: Prose and Poetry by Everyday Folk
and
Jump Start: How to
Write from Everyday Life,
both published by Oxford University Press. In 2003 Bonnie received a
grant from the Iowa Arts Council to publish a trade edition of A
Bestiary, which was released with a CD in 2004. Also in 2004,
‘Timeless’ a double cd which captured the warmth and power of her
performances from 1973 to 1990 (including The Earl of Old Town and The
Amazing Grace) was released. “Timeless was described as “remarkable… an
amazing piece of work…” , by Rick Kogan of WGN Radio.
Bonnie’s latest recording and
13th overall “Here to Sing”, produced by longtime friend and
collaborator Howard Levy is called “the best thing she has ever recorded,”
according to Rich Warren of WFMT’s nationally syndicated radio program ‘The
Midnight Special’. |
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Inside Out
October 18, 2008-January 11, 2009
Inside Out is
an exhibition exploring and exposing our ensconced perspective of sculpture
and theme. Inside Out can suggest something made topsy-turvy and presented
to the viewer in a new way; the orderly arrangement of structure is made
both chaotic and lyrical. The show's title can also imply the act of seeing
beyond the surface with the viewer encountering sculpture that creates an
aesthetic impact where it does not exist.
Inside Out
will feature two important American sculptors, Chakaia Booker, who lives and
works in New York and Bob Emser, from Illinois. Their work will complement
and confront, challenging the viewer to think of the artists' expression of
their emotions, memories, and internal creativity – in a sense bringing
their insides out.
Chakaia
Booker recreates sculpture from tough, black rubber tires that are cut up
and rearranged in striking ways. From works that are almost floral in their
misleading softness to large, forceful abstract pieces, she uses the various
parts of automotive tires, differently with each object, in surprising ways.
Her artistic
career has enabled her to be part of the permanent collection at the
Metropolitan Museum of Art and Akron Museum of Art and exhibited in both
group and solo exhibitions in such places as the Neuberger Museum of Art,
and New York's Marlborough Gallery as well as the “Twentieth Century
American Sculpture” exhibition at the White House in 1996
Chakaia
Booker, Midtown South , 2005
Rubber tires, wood 53x40x33in.
Courtesy Marlborough Gallery
Bob
Emser, familiar to Elmhurst Art Museum audiences (he is the creator of
Sistine Touch, the large outdoor sculpture installed by the South doors to
the museum), brings new works to the galleries. He continues to uncover the
structural core of his works and present them, unobstructed, to the viewer.
His latest wall objects have a graceful quality and his use of hard
materials like metal, wood, and fiberglass are unexpected because of the
airy quality of his sculptures and the fact that shadows and reflections
cast from the gallery lighting play an important role in completing the
physical work and extending its complexity beyond the physical material.
After being
awarded a full time graduate assistantship in sculpture from Bradley
University, Emser completed his M.F.A. in 1978 and was the youngest sculptor
to have his work selected for the prestigious Illinois Arts Council's
Sculpture Exhibition. Emser has been exhibited across the United States
and internationally in Norway, Argentina, Australia, Italy, Paris, and
Germany.
Bob Emser, A
Breath Away, 2006
Stainless Steel, Polycarbonate
Courtesy of the artist.
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